In a fine article, Dancing at a Wedding (Early Music magazine 2008 here) Virginia Christy Lamothe offers “some thoughts on performance issues in Monteverdi’s ‘Lasciate i monti’ (Orfeo, 1607) from her particular viewpoint as a musicologist and dancer. In a chapter … Continue reading Sherlock Holmes and the Wedding Dance: Tactus & Proportions in Monteverdi’s ‘Lasciate i monti’